Archive for October, 2007

I finally got a dump of some of the photo’s i took while out at this year’s burn. They’re pretty tame and dont show much, as i only took my camera out for two nights. Hopefully i can get ahold of cetta’s camera, she took a ton of pictures on hers.

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12 hrs after the first man burned.

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belfry: cool little bar on the edge of 2:00.

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The Oil Derik at night. You can just see people waiting in line to go to the top, and get an idea of how big the thing was.

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These metal sculptures were at the base of the derik, and the coolest one was of this, a 20 foot tall Tesla Coil discharging into flames coming out of one of the sculptures.

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These two pictures are of the city at night, unfortunately i had a hard time stablizing the cam at night and they were all slightly blured. these were the best of the pics.

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The Temple, at night

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the most glorious metal ass sculpture i’ve ever viewed.

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YT, hella dirty.

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Just a few minnutes after a wind/rain/dust/filth storm. fun times. :)

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This rainbow lasted for about an hour on friday near sunset.

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a broad view of where we camped

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You can see where center camp was in relation to us. not far away at all. You can see our hot milf neighbor talking to her kids. she was wandering around naked half the week, and caused some kind of WT shouting match with the people behind us. It was highly entertaining, and im sure the kid’s freinds didnt mind seeing mom’s fake boobs all week either.

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Sunset in Black Rock City.

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A wonderfull sculpture that was all alone on the playa.

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The temple burning. beautiful.

Ive been giving it some thought and would like to start a standardized way in which we review events attended. Often time’s its too easy to be smitten, either positively, or negatively, with an event. Everyone is guilty of this, and, i hope, this will help reader’s get a more balanced viewpoint.
Every event has several qualities to it which are common to the next. those are;

1. performers. dj’s or bands or artists
2. venue
3. sound system
4. visuals
5. atmosphere
6. crowd
7. security and promoter interaction
8. that something extra
9. other
10. total

Each point will be rated 0 to 10 and is pretty self explanitory. number five, atmosphere, relates to the overall atmosphere of the event, whether it was a shady warehouse or a highly decorated outdoor venue, there’s always an atmosphere to a party. six relates to the overall mood of the crowd- if it’s filled with a bunch of middle school students, or active participants, extremely drunk frat boys or gangsters running amok. seven is just the overall interaction from the security and staff, and how well the promoter has his people interacting with his guests. eight is a bit intangeable. the best events always have “that something extra,” that thing they pulled out of their hat of tricks to make that party memorable. Nine relates to anything else about the event.

This is my first post here on NMScene, and I am honored to be a part of it. This is a cross post from my personal blog, but as I go on I will be doing material specifically for NMScene.

I’ve been thinking of writing this for a long time now, so here goes; I might edit as time goes on. Take anything I say with a salt lick. If you don’t like it, that’s fine - but also please keep in mind that I do know where I’m coming from here.

I’ve been part of what I call the New Mexico music scene since I was about 15 years old, when I started promoting and playing punk shows with my good friend, JJ. We threw shows at the Rockin’ Rollers event arena, Warehouse 21 and the Railyard performance space in Santa Fe. I learned a lot doing this; how to flyer, how to market my shows, book bands, etc. At this time, I was simply doing this because I felt it was something to do, and something I had fun doing.

As time went on, I realized that JJ and I were, with a select few others, filling a niche that did not exist had we not been promoting shows. Punk shows were pretty important for a lot of kids at this time; many of us were looking for some direction in our lives, and music seemed to be part of that. Most would think that getting drunk and doing drugs was what drew us all to this, but to that I say nay; we were actually there, enjoying the music and the bands that played it.

Then around 1996 or so, Raves started to pop up in New Mexico and more accurately, Santa Fe. I suppose I should clarify; this is when I started to notice them more; i remember seeing flyers for shows like H2O and other parties when I was 13 or so, so I know the scene had been around since before me; I make no claims to being “one of the founders” of this scene, nor even the punk scene. I was loosely part of the Rave scene and the promotion of it; I remember doing parties in old grocery stores and warehouses where we had to roll in our own heat and power to make the place usable, but we threw some great parties. At this time, I was helping my friend Hannah promote; I have since lost contact with her. I remember enjoying a lot of what I saw in Raves; people getting together, enjoying music, hanging out until the early hours of the night, and genuinely seeming to care about the music they were getting down to.

We used to have parties at a space called Harambe in Santa Fe; one of my favorite memories from that time is a Valentine’s Day show with the Gluey Brothers, Creation and Johnny and the Blades, followed by DJs and much partying. A great night, I remember showing up in full on suit and tie to get down and leaving with my feet hurting so very bad from dancing.

The punk scene started to die down around 1999 or so, and I was promoting shows less at this time. Raves were still happening, but I just was not at them as much. Everything rolls on without people, at least most of the time, it does.

Now, here is where I ask the question; what is a scene? When I refer to the scene, I am usually speaking of music, but I know that it encompasses so much more than that. Music is made by people who genuinely care about how it is made and given to an audience. Those people make part of the scene, but the other parts are made up of the spectators, the listeners, the artists and the creators who add to the scene with art, writing, promotion, support, etc. When I speak of the scene, I speak of all these people. I speak of people who get together in a space, outdoors, anywhere, and not only listen to and play music, but interact with each other (without having to be totally wasted on drugs) and learn more about their community.

When I speak of scene, I speak of community.

I think that what I see about being part of a scene is that, your scene is what you make it, and you have to be a part of it in some way for it to be better. You cannot simply expect a strong, vibrant scene without doing some part for it, weather this is going to shows and supporting bands, artists and DJs and performers you enjoy, or if it’s taking it to the next step and promoting, marketing and putting on your own show or starting a record label. Either way, you must be a part of a scene in some way that is not the unassuming tourist in order for a scene to flourish. You don’t need to spend thousands of dollars; you don’t need to be at every show; you don’t need to be some die hard fan who is at every show and every appearance someone makes - you just need to bring your eyes, ears and willingness to explore and hear something new each time. You need to do it if you can; if you have to work, have a kid, have school, whichever and whatever, that is understandable, and no one can hold that against you. However your support, whenever you can offer it, means the world to those of us who do it so often.

I think that my overall feelings are that a scene, and the community that comes with it, are directly reliant upon those people who are willing to put their time and energy into it, weather it be in promoting and making music and art, or just enjoying those creations. If you want to be a part of a scene, if you want to say that you are active in your scene, you have to be a part of it. You don’t have to go to every show that happens. You don’t have to spend all your money on local bands. This will not further you in the long run, but what will is the feeling you get when you go to an event, and look around, and realize that you’re surrounded by people who like what you like and care about what you care about.

Facebook and Myspace are not communities - not in my opinion. They are passive forms of entertainment which feed you the sense of community; in the long run, they are exactly the opposite. They are good for getting the word out, meeting some new people - but ultimately, you have to get out there, and make it happen.

I realize that I am a bit of a hypocrite here, because yes, I spend a lot of time on the internet and I can’t attest to being at every show that goes down - but at the same time, you’ll find me out there much of the time, pounding the pavement, working to do what I can do, everyday. In the end, that is all we can do, after all, and it’s up to the rest of the people to catch on.

Sorry that i haven’t finished up the last two reviews of Oscillation, yet again i was out and about being slaved around by the various women in my life.

Three last performances went on at oscillation after Raine Vivian and The Dirty birdies; Brian Botkillers live set, NanoCrack, and ZRAM.

After the dreamy experementalness of the Dirty Birdies performance, Editor Betty and I went downstairs and had a chat with Brian Botkiller’s long time girlfreind, Molly Botkiller. Betty was happy to find out that she and Molly spent a lot of quality dancing time together when they were younger, and had a lot of catching up to do. Brian started his set and we were still talking, so we missed the first part. After a tale about how her adventurer brother broke his back, we headed up the stairs to find Mr Botkiller playing Born Slippy. Live. This about made my nipples pop off and a big stupid grin show up on my face, as the fucker even knew the damn words to it, which i’ve tried to make out since the early ninties but can only grasp Yooooooooooooooooo booyyyyyyyyy at the end of one of the verse’s. To say this was rad is an understatement. It didnt seem like many in the room knew the track, its fairly old but its one of the pillars of electronic music. Brian continued through his live set, and it was all damn good but, looking back, it’s hard to recall any of it just because Born Slippy stood out so damn much in my head. It was, in fact, some of the cleanest electronic music i’ve heard in a long, long time, having none of the wear and tear that is usually produced by dj’s pre recorded vinyl. Brian finished off his set with “The Emperor is a Douchebag,” a loving tribute to the universally disliked Bush. A lot of sound was pushed out from just one guy and a few machines, and it was a much, much needed releif from the monotony and slopyness of the regular, glorified ipod version’s of DJ’s these days.

Another break, another band. NanoCrack, a two man group with at least one of the musicians from the dirty birdies, was up next. They had a slow build up, creating an ambiance not unlike entering into a doom destined pirate ship. Dark beats, bordering on the distant and not too distant war off in the horizon. Its that sound that lets you know something is going to happen, much the antithesis of the dirty birdies, that gave a feeling that something amazing, horrible, and cinematic just ended. It’s the perfect sound for a first person video game, and would make the perfect inspiration for an entire book, just from the music. Unlike the Dirty Birdies, this was quite tangable, with ebb’s and flows to the sound.

ZRAM finished up the night. BOOM! Lots of drums being beaten. Steal cans. drums. steal cans, live singer. Brian and his cohorts beat the fuck out of some drums and really got things pumping. A lot of energy was released in the songs they belted out, the singer reminding me of some kind of old eighties depeche mode/new order master while his drum slaves pound away in the background. It was something of an apex to the night an unfortunate note to end on, for me at least, cause it was totaly leaving me on a high note. Oscillation proved itself to me and made me want more, badly. It makes me kind of sad that more people did not show up, but then again, made me happy that there weren’t any retards there. Oscillation really is a show for and by artists, as much of the music would not have been absorbed rightly by a 15 yr old wanting to get fucked up with his freinds. The two day festival deserves more attention, but I also fear it, because invariably more attention brings more retards and a lower quality event over all. I wish the entire production crew who put on the show nothing but the best, as that’s what they put out this weekend, their best.

10.13.07

Overmind Works presents…

Circuit VI:

<(<(<(<( Vibration )>)>)>)>

The sixth in a series of eight events corresponding the the Eight
Circuits of Human Consciousness. Vibrating in a sea of consciousness,
we dance in order to explore. Going beyond the waking world we
discover new possibilities within ourselves. To keep this discovery a
secret would be a shame. So we activate those with the courage to take

the plunge.

Audio Navigation by:
Jay Eric (Overmind Works - Seattle)
Tim C (Infiniteye - San Francisco)
Nick Synergy (OMW - AZ)
Moksha Mind (OMW - AZ)
Hahn the Barbarian (OMW - AZ)
plus special guests

Video Navigation by:
Syntax (Stimulate Productions - AZ)
Cliff (Vostek - AZ)

Lighting powered by Psyteknology
Deco by Stimulate Productions and OMW
Fire performances by Stage6

Vibration will take place in the Arizona wilderness not far from
Phoenix. Camping is highly encouraged and preparedness is a must. The
music begins on Saturday at sunset and won’t end until Sunday
afternoon.

To attend send an email to goa@overmindworks.com with the word
“Vibration” in the subject line. You will be sent back further
instructions.

This event is free to attend but it does cost money to make it happen.
Suggested donation is $10 per vehicle. Carpooling is encouraged. Also,
this is a leave no trace event. Respect the land so we can continue to
use it.

www.overmindworks.com/circuit

Looks relatively new, but they offer a free podcast so I’ll be adding a link to them.

I put a shout out on NMElectronic for contributors to NMScene, and I got a really nice response. As the days progress, I’ll be adding more contributors on here and they’ll be posting a lot of new stuff that I can’t or don’t have the time to get into.

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